IN 1669-Gallon - Bottle Green - Envision Glaze by Duncan  

Envision yourself with the best – quality nontoxic, dinnerware-safe glazes in colors you love! Duncan® Envision® Glazes work with a variety of decorating techniques and produce a distinctively smooth and elegant appearance with intense colors ranging from opaque to transparent.

See the world in vibrant color! Envision Glazes are perfect for ceramists, schools and finished-ware manufacturers!

How to use Duncan® Envision® Glazes

1. Apply to shelf cone 04 bisque.

2. Apply 2-3 smooth, even coats.

3. Fire to shelf cone 06.

4. Clean up with water.

Tips & Techniques

1. Envision® Glazes move very little during firing, so apply them with smooth, even strokes.

2. Most Envision® Glazes are over-glaze compatible. Always refer to label instructions for proper application and usage.

3. Most colors may be mixed together to create custom colors with no changes in application or performance.

4. Envision® Glazes reds and greens can be fired simultaneously with no special precautions.

IN 1669-16 ounce - Bottle Green - Envision Glaze by Duncan  

Envision yourself with the best – quality nontoxic, dinnerware-safe glazes in colors you love! Duncan® Envision® Glazes work with a variety of decorating techniques and produce a distinctively smooth and elegant appearance with intense colors ranging from opaque to transparent.

See the world in vibrant color! Envision Glazes are perfect for ceramists, schools and finished-ware manufacturers!

How to use Duncan® Envision® Glazes

1. Apply to shelf cone 04 bisque.

2. Apply 2-3 smooth, even coats.

3. Fire to shelf cone 06.

4. Clean up with water.

Tips & Techniques

1. Envision® Glazes move very little during firing, so apply them with smooth, even strokes.

2. Most Envision® Glazes are over-glaze compatible. Always refer to label instructions for proper application and usage.

3. Most colors may be mixed together to create custom colors with no changes in application or performance.

4. Envision® Glazes reds and greens can be fired simultaneously with no special precautions.

IN 1640-16 ounce - Foliage Green - Envision Glaze by Duncan  

Envision yourself with the best – quality nontoxic, dinnerware-safe glazes in colors you love! Duncan® Envision® Glazes work with a variety of decorating techniques and produce a distinctively smooth and elegant appearance with intense colors ranging from opaque to transparent.

See the world in vibrant color! Envision Glazes are perfect for ceramists, schools and finished-ware manufacturers!

How to use Duncan® Envision® Glazes

1. Apply to shelf cone 04 bisque.

2. Apply 2-3 smooth, even coats.

3. Fire to shelf cone 06.

4. Clean up with water.

Tips & Techniques

1. Envision® Glazes move very little during firing, so apply them with smooth, even strokes.

2. Most Envision® Glazes are over-glaze compatible. Always refer to label instructions for proper application and usage.

3. Most colors may be mixed together to create custom colors with no changes in application or performance.

4. Envision® Glazes reds and greens can be fired simultaneously with no special precautions.

UG-002 - Sea Blue (pint) Fundamental Underglaze 

Cone 06: Sea Blue will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.

Cone 6: Remains blue – shifts to cooler hue. Recommended clear glaze is SW-001 Stoneware Clear. Color concentration occurs.

General Use

Shake well.  Apply 2-3 coats to wet clay, greenware, or cone 04 bisque for use in design or solid coverage.  Fundamentals have a firing range from cone 06 to cone 10. If the form you are painting has texture, dab excess color or for use on dinnerware, apply clear or matte clear glaze.  For use on clay or greenware, apply underglaze, allow to dry and fire to cone 04.  If desired, apply clear glaze and re-fire to cone 06-05 for earthenware and cone 5-10 for stoneware.  
For use on bisque, apply to cone 04 bisque, apply clear glaze if desired and re-fire earthenware to cone 06/05 and cone 5-10 for stoneware.  Generally, a clear glaze finish is applied to bring out the true color and vivdness of the product.  

Fundamental Underglazes have been formulated to mature at cone 06/05.  However most will maintain their color at higher temperatures.  Their performance at cone is noted on each individual product label.  We recommend testing on your clay body and in your kiln prior to use.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-046 - Bright Yellow (pint) Under-glaze by Mayco Colors 

Cone 06: Bright Yellow will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.

Cone 6: Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.

General Use

Shake well.  Apply 2-3 coats to wet clay, greenware, or cone 04 bisque for use in design or solid coverage.  Fundamentals have a firing range from cone 06 to cone 10. If the form you are painting has texture, dab excess color or for use on dinnerware, apply clear or matte clear glaze.  For use on clay or greenware, apply underglaze, allow to dry and fire to cone 04.  If desired, apply clear glaze and re-fire to cone 06-05 for earthenware and cone 5-10 for stoneware.  
For use on bisque, apply to cone 04 bisque, apply clear glaze if desired and re-fire earthenware to cone 06/05 and cone 5-10 for stoneware.  Generally, a clear glaze finish is applied to bring out the true color and vivdness of the product.  

Fundamental Underglazes have been formulated to mature at cone 06/05.  However most will maintain their color at higher temperatures.  Their performance at cone is noted on each individual product label.  We recommend testing on your clay body and in your kiln prior to use.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-001 - Kings Blue (pint) Fundamental Underglaze 

Cone 06: Kings Blue will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.

Cone 6: Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.

General Use

Shake well.  Apply 2-3 coats to wet clay, greenware, or cone 04 bisque for use in design or solid coverage.  Fundamentals have a firing range from cone 06 to cone 10. If the form you are painting has texture, dab excess color or for use on dinnerware, apply clear or matte clear glaze.  For use on clay or greenware, apply underglaze, allow to dry and fire to cone 04.  If desired, apply clear glaze and re-fire to cone 06-05 for earthenware and cone 5-10 for stoneware.  
For use on bisque, apply to cone 04 bisque, apply clear glaze if desired and re-fire earthenware to cone 06/05 and cone 5-10 for stoneware.  Generally, a clear glaze finish is applied to bring out the true color and vivdness of the product.  

Fundamental Underglazes have been formulated to mature at cone 06/05.  However most will maintain their color at higher temperatures.  Their performance at cone is noted on each individual product label.  We recommend testing on your clay body and in your kiln prior to use.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

V-388 Radiant Red - Velvet Underglaze in Pint Size Container 

Radiant Red Velvet Underglaze is a bright scarlet color that is vivid at cone 05, deepens at cone 5, and becomes a slightly glossy, deep fire-engine red at cone 10.

A clear glaze accentuates the color of the underglaze nicely at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-391 Intense Yellow - Velvet Underglaze in Pint Size Container 

Intense Yellow Velvet Underglaze is a bright pineapple color that is vivid at cone 05, deepens at cone 5, and is the deepest and most intense at cone 10.

A clear glaze deepens the color of the underglaze significantly at any temperature..

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-66 - Cosmic Oilspot - Mid Range Potters Choice Glaze in Pint Size Container

Cosmic Oil Spot is a dark glaze with shimmery flecks that create streams and spots of color similar to a traditional hare’s fur glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-65 - Black Aventurine - Mid Range Potters Choice Glaze in Pint Size Container

Black Aventurine is a fluid, rich black glaze that develops a metallic sparkle.​ If slow cooled, this glaze will grow crystals.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-58 - Tuscany - Mid Range Potters Choice Glaze in Pint Size Container

Tuscany is a A glossy Terra Cotta glaze that breaks a dark russet and shifts lighter as it pools in recesses.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-17 - Honey Flux - Mid Range Potters Choice Glaze in Pint Size Container

Honey Flux is a creamy color that increases flow when layered over glazes. Opaque honey and cream at Cone 5 that shifts to a beautiful fluid white with honey flecks at Cone 6.​

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-16 - Purple Crystal - Mid Range Potters Choice Glaze in Pint Size Container

Purple Crystal is a matte violet glaze for Cone 5 that becomes glossy deep indigo with purple crystal floats at Cone 6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-04 Palladium over C-53 Weeping Plum (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C53 Weeping Plum). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-50 Cherry Blossom (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C50 Cherry Blossom). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-49 Rainforest (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C49 Rainforest). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-43 Wasabi (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C43 Wasabi). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-27 Storm (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C27 Storm). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-22 Fog (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C22 Fog). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-55 Chun Plum (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC55 Chun Plum). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-52 Deep Sienna Speckle  (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC52 Deep Sienna Speckle ). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-32 Albany Slip Brown (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC32 Albany Slip Brown). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-29 Deep Olive Speckle (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC29 Deep Olive Speckle). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-23 Ice (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C23 Ice). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over C-20 Cobalt (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (C20 Cobalt). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-62 Textured Amber Brown (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC62 Textured Amber Brown). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-45 Dark Green (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC45 Dark Green). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-43 Toasted Sage (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC43 Toasted Sage). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-40 True Celadon (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC40 True Celadon). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-35 Oil Spot (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC35 Oil Spot). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-34 Light Sepia (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC34 Light Sepia). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-31 Oatmeal (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC31 Oatmeal). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-30 Temmoku (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC30 Temmoku). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-23 Indigo Float (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC23 Indigo Float). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-21 Arctic Blue (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC21 Arctic Blue). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-20 Blue Rutile (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC20 Blue Rutile). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-36 Ironstone (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC36 Ironstone). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-33 Iron Lustre (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC33 Iron Lustre). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-02 Saturation Gold (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC02 Saturation Gold). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

PC-04 Palladium over PC-12 Blue Midnight (brush on) Pottery Glaze, cone 5 Combination By Amaco

Technique was achieved by brushing on two (2) layers of base glaze (PC12 Blue Midnight). Then apply two (2) layers of top glaze (PC04 Palladium), letting glazes dry between coats.  Glazes will appear differently based on application and clay body.

You are purchasing two 16 ounce bottles of Amaco, cone 5, Mid range brush-on glaze

SW-185 - Rainforest over SW251 Pink Opal (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW189 Cenote (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW181 Night Moth (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW170 Blue Hydrangea (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW125 Purple Mint (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW117 Honeycomb (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW113 Speckled Plum (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW168 Coral Sands (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW169 Frosted Lemon (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW105 Frost Blue (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW110 Oyster (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-185 - Rainforest over SW100 Blue Surf (brush on) Stoneware Glaze Combination by Mayco 

Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-185 Rainforest) to the top 1/4 of piece, letting glazes dry between coats.

You are purchasing two Pint size containers of  a Cone 5 Mid Range brush on Glaze to be used on Cone 5 Mid Range Clay.

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability  

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

Glaze Combination - EL213 Painted Desert over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL150 Fern over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats.

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL144 Dark Amethyst over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats.

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL133 Autumn over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats.

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL127 Rose Granite over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats.

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL117 Waterfall over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats.

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL208 Moss Creek over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - EL204 Glowing Embers over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - S2714 Herb Garden over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - CG968 Peppermint Twist over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - CG964 Kaleidoscope over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

Glaze Combination - CG963 Lemon Lime over EL107 Amber Ash Low Fire Combo in 4 ounce sized containers

Technique was achieved by brushing on two (2) layers of base glaze (EL-107 Amber Ash). Then apply two (2) layers of top glaze, letting glazes dry between coats

This Combo Kit includes 1 - 4 ounce jar of each color shown above - 2 Jars Total

UG-213 - Cinnamon (pint) Under-glaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-215 - Blush (Pint) Underglaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

SW-113 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-119 over SW-117 Honeycomb (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-130 over SW-117 Honeycomb (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-100 over SW-117 Honeycomb (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-176 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-184 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-180 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-121 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-109 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-100 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-174 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-129 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-127 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-154 Shipwreck over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-151 Olive Float over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-150 Celadon Bloom over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-148 Lime Shower over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-171 Enchanted Forest over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-181 Night Moth over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-401 Light Flux over SW-117 Honeycomb Stoneware Combination

This technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement .

Sophistication and Reliability

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-211 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-179 over SW-187 Himalayan Salt (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-187 Himalayan Salt). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SW-203 over SW-117 Honeycomb (brush on) Stoneware Glaze Combination By Mayco

Technique was achieved by brushing on two (2) layers of base glaze (SW-117 Honeycomb). Then apply two (2) layers of top glaze, letting glazes dry between coats

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice.
Artists will appreciate the consistency of performance and control of movement .

SB137 Honeycomb Mug in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque. 

x 6 W x 4.5 H

Case of 6  

SB136 Todd Mug in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque. 

x 6.25 W x 5.5 H

Case of 6   

SB135 Carmen Mug in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque. 

x 5.5 W x 3.5 H

Case of 6  

SB134 Hippy Mug in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque. 

x 6 W x 3.75 H

Case of 6  

SW-189 - Cenote (brush on) Stoneware Glaze By Mayco

Cone 6: Cenote is a semi-opaque, sky blue gloss glaze that has a variety of brown crystals that melt during firing.

Cone 10: Base color darkens. Crystals become darker and more defined.
TIP: SW-166 Norse Blue is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-166 Norse Blue with a third coat of SW-189 Cenote.

Stoneware Crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on ware’s orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. Crystals will flow more than the base glaze. While the glaze is wet, use your fan brush to redistribute the crystals to achieve balanced coverage. Over-application or heavy deposition of the crystals can cause pin-holing or running. When storing a crystal glaze, you may consider storing upside down to facilitate crystal dispersion on the next use.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-188 Landslide (brush on) Stoneware Glaze By Mayco

Cone 6: Landslide is a soft matte, rich brown glaze that will pool dark and glossy and break over texture.
Cone 10: Color variation increases, producing darker red/brown hues where thin/breaking and brighter orange and gold where thick/pooling.
Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination.
Note: Not recommended for dinnerware due to surface durability.

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thickness is the key to making mattes work for you. We recommend firing our matte glazes to cone 6 to produce a satin matte finish.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-187 - Himalayan Salt (brush on) Stoneware Glaze (Cone 5) By Mayco   

Cone 6: Himalayan Salt is a soft matte glaze with light pink and burnt orange mottling that will pool a glossy clear.
Cone 10: Color changes to an opaque, variegated gray/white that breaks gray over texture and can pool a glossy purple/blue when thick.
Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination.
Note: Not recommended for dinnerware due to surface durability.

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thickness is the key to making mattes work for you. We recommend firing our matte glazes to cone 6 to produce a satin matte finish.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-186 - Azurite (brush on) Stoneware Glaze By Mayco

Cone 6: Azurite is a soft matte, cobalt blue glaze that will pool dark and glossy and break a light brown.
Cone 10: Color changes to green where thin/breaking and remains dark blue where thick/pooling. Increased movement.
Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination.
Note: Not recommended for dinnerware due to surface durability.

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thickness is the key to making mattes work for you. We recommend firing Mayco matte glazes to cone 6 to produce a satin matte finish.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.