MB1522 Frieda Flamingo Dish - in ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

10 L x 7 W x 1.5 H

SG702 Clear Celebration Speckta Clear Glaze (Pint) by Mayco Colors  

Shown over SC-55 Yella Bout It and unglazed bisque

Specta Clear Glazes are gloss clear glazes with speckles.  

They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.

SG702 Clear Celebration Speckta Clear Glaze (4 ounce) by Mayco Colors  

Shown over SC-55 Yella Bout It and unglazed bisque

Specta Clear Glazes are gloss clear glazes with speckles. 
They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.

SG701 Clear Star Dust Speckta Clear Glaze (Pint) by Mayco Colors  

Shown over SC-76 Cara-Bein Blue

Specta Clear Glazes are gloss clear glazes with speckles.  

They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.

SG701 Clear Star Dust Speckta Clear Glaze (4 ounce) by Mayco Colors  

Shown over SC-76 Cara-Bein Blue

Specta Clear Glazes are gloss clear glazes with speckles. 
They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.

CG-996  Spring Rain (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors  

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-996  Spring Rain (pint)  Jungle Gem Crystal Glaze by Mayco Colors   

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-995  Foggy Mist (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors  

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-995  Foggy Mist (pint)  Jungle Gem Crystal Glaze by Mayco Colors   

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-994 Fields and Flowers  (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-994 Fields and Flowers  (pint)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-993 Lavender Sprigs (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-993 Lavender Sprigs (pint)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-992  Mint Chip (4 ounce)  Jungle Gem Crystal Glaze by Mayco Colors 

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

CG-992  Mint Chip (pint)  Jungle Gem Crystal Glaze by Mayco Colors

Drama! Excitement! 

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ™ and Crystalites ™ glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• Left-over crystals? Just add a complimentary Foundations® glaze.
• May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
• We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
• Stir frequently as crystals tend to settle in the jar due to their weight.
• Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
• As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
• Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".

• Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
• During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
• We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
• Crystalites™ and Jungle Gems™ were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

   

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move that much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites™ and Jungle Gems™are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites™ and Jungle Gems™.

EL147 Creek Bed (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL147 Creek Bed (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL146 Rain Cloud (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL146 Rain Cloud (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL145 Ginger Root (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL145 Ginger Root (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL144 Dark Amethyst (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL144 Dark Amethyst (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL143 Cactus Flower (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL143 Cactus Flower (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

EL 142 - Grass (Pint) - Mayco Element Glaze

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

• Usage Variations & FAQs

  Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

  Elements
  Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
  The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
  

  Elements Chunkies
  The popular earth tone Element Glazes now come with crystals!
  During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
  
  Product Features and Attributes
  Some qualities of Elements & Elements™Chunkies glazes include:
  Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
  All are Non-Toxic.

EL 142 - Grass (4 ounce) Mayco Element Glaze 

Rich & Elegant

Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.

General Use

Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.

Helpful Hints

• Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
• Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
• Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.

• An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.

• Amount of detail on the ware can also affect the fired finish

• Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.

• Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:

Usage Variations & FAQs

• Q: Can Elements™ be Mixed with Other Glazes?

  A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.

  Q: What are some basic tips for creating effects with Elements™?

  A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.

  Q: Are Elements™ luster compatible?

  A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.

Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>

Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.

Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.

MB1527 Milk Can Vase in Ceramic Cone 04 Bisque By Mayco Bisque

Case of 4

10 H x 4.5 Dia

MB1527 Milk Can Vase in Ceramic Cone 04 Bisque By Mayco Bisque

All of our bisque is fired to a cone 04 and is ready to paint.

10 H x 4.5 Dia

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1526 Milk Can Bud Vase in Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

7 H x 3 Dia

MB1526 Milk Can Bud Vase in Ceramic Cone 04 Bisque By Mayco Bisque

All of our bisque is fired to a cone 04 and is ready to paint.

7 H x 3 Dia

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1525 Llama Mug in Ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

6 H x 6.25 W x 3.25 D  

MB1525 Llama Mug in Ceramic Cone 04 Bisque By Mayco Bisque

6 H x 6.25 W  x 3.25 D

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1524 Unicorn Mug in Ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

4.75 H x 7 W x 3.25 D  

MB1524 Unicorn Mug in Ceramic Cone 04 Bisque By Mayco Bisque

4.75 H x 7 W  x 3.25 D

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1523 Rama Llama Dish - in ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

9.25 L x 7.25 W x 1 H

MB1523 Rama Llama Dish in Ceramic Cone 04 Bisque By Mayco Bisque

9.25 L x 7.25 W x 1 H 

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1522 Frieda Flamingo Dish - in ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

10 L x 7 W x 1.5 H

MB1522 Freida Flamingo Dish in Ceramic Cone 04 Bisque By Mayco Bisque

10 L x 7 W x 1.5 H 

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1521 Magical Unicorn Dish - in ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

9.5 L x 7 W x 1.25 H

MB1521 Magical Unicorn Dish in Ceramic Cone 04 Bisque By Mayco Bisque

9.5 L x 7 W x 1.25 H 

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1520 Moo Cow Container in ready to paint, cone 04 ceramic bisque by Mayco Colors

All of our bisque is fired to a cone 04 and is ready to paint.

8.75 L x 4.75 w x 4 H

Case of 6  (also available individually)

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1520 Moo Cow Container in ready to paint, cone 04 ceramic bisque by Mayco Colors

All of our bisque is fired to a cone 04 and is ready to paint.

8.5 L x 4.75 W x 4.5 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1519 Oink Pig Container in ready to paint, cone 04 ceramic bisque by Mayco Colors

All of our bisque is fired to a cone 04 and is ready to paint.

8.75 L x 4.75 w x 4 H

Case of 6  (also available individually)

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1519 Oink Pig Container in ready to paint, cone 04 ceramic bisque by Mayco Colors

All of our bisque is fired to a cone 04 and is ready to paint.

8.75 L x 4.75 W x 4 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1518 Mermaid Dish - in ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

9.25 L x 6 W x 1.25 Deep

MB1518 Mermaid Dish in Ceramic Cone 04 Bisque By Mayco Bisque

9.25 L x 6 W x 1.25 Deep 

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

RB106 #6 Script Liner​ By Mayco Colors  

Reflections™Acrylic Handle Brushes were designed to prevent paint peeling
and flaking off brush handles. Careful design of Golden Taklon brush heads
along with a properly balanced handle and ferrule give the user a superior 

RB110 10/0 Detail Liner By Mayco Colors  

Reflections™Acrylic Handle Brushes were designed to prevent paint peeling
and flaking off brush handles. Careful design of Golden Taklon brush heads
along with a properly balanced handle and ferrule give the user a superior 

MB1211 Train Bank - in Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

4.25 H x 2.25 W x 6.25 L  

MB1211 Train Bank by Mayco in ready to paint Cone 04 Ceramic Bisque

4.25 H x 2.25 W x 6.25 L 

X10305 Medium Tear Drop, Heat Treated Steel Blade Trimming Tool

Heat Treated Steel

Product: Triangle Loop Trimming Tools (Small)

Xiem Loop Trimming Tools are made of heat-treated steel with comfortable ergonomic handles. Our a thin blade creates a very minimal amount of drag on the clay surface and provides a clean cut.

Xiem Loop Trimming Tools are excellent for carving and trimming on the wheel, sculpting and hollowing work. Our Loop Trimming Tools come in 3 classic shapes and 2 popular sizes.

Triangle Loop (Small) - Trimming Tools
Triangle Loop (Medium) - Trimming Tools
Round Loop (Small) - Trimming Tools
Round Loop (Medium) - Trimming Tools
Teardrop Loop (Medium) - Trimming Tools

X10409 Artist's Saw with Interchangeable Blade

High Quality Carbon Steel

Xiem saw is excellent for cutting in a variety of clays, soft woods, plastics, gourds, pumpkins, etc. 

Made of high carbon steel with medium teeth - 15 teeth per inch.  It is a useful tool to have for clay and sculpture artists. 

It features an interchangeable ergonomic designed handle for extra comfort.

The flexible 2.5" blade provides artists an excellent cutting control. 

Tool length is 8 inches

X10404 Korean Atelier Detail Carving Tool Titanium Fused Ultra-Sharp Angled Hook Blade

East meets West. 
Xiem Korean Atelier detail carving tools are re-engineered to provide artists the best intricate carving, cutting, incising clay tools of the East with the highest quality material and comfort of the West.
They are excellent for doing sgraffito and mishima clay works.
Each tool is made of high-carbon steel, tempered, and Titanium-fused which is 3x times harder than steel to retain the superior cutting edge with no burs and rust resistance.
The faceted handle design will fit your hand comfortably and resist rolling off the table while the rubber sleeve provides an excellent grip.
Available in an individual tool and a complete set of 4 pieces (flat, angled, and round shape, and a knife). Length 6”(155 mm)

X10406 Korean Atelier Detail Carving Tool Titanium Fused Ultra-Sharp Knife

East meets West. 
Xiem Korean Atelier detail carving tools are re-engineered to provide artists the best intricate carving, cutting, incising clay tools of the East with the highest quality material and comfort of the West.
They are excellent for doing sgraffito and mishima clay works.
Each tool is made of high-carbon steel, tempered, and Titanium-fused which is 3x times harder than steel to retain the superior cutting edge with no burs and rust resistance.
The faceted handle design will fit your hand comfortably and resist rolling off the table while the rubber sleeve provides an excellent grip.
Available in an individual tool and a complete set of 4 pieces (flat, angled, and round shape, and a knife). Length 6”(155 mm)

X10397 Large Wire Tool Series L-1

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10402 Small Wire Tool Series S-4

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10401 Small Wire Tool Series S-3

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10394 Medium Wire Tool Series M-2

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10380 Art Roller Detailing Kit with Exchangeable Handle - ARDCB by Xiem Pottery Tools 

Create. Roll. Done!
Now you can effortlessly add a seamless line of texture to any project.

Introducing our extended Art Roller Detailing family. 
Features:
*  Three popular design patters #01, #05, #08 from our original collection of eleven patterns.
*  Each detailing roller is secured in a robust interchangeable stainless steel frame. 
*  Brass Rollers are nickel-plated to be free from rust and corrosion.
*  Ergonomic handle design with a flat area the base for maximum comfort and prevents the tool from rolling off the table.
*  Precision engineered aluminum chuck for a quick and easy exchange between the roller attachments.
*  Made to last.

They are great for adding texture to a variety of clays.

Discover the unlimited possibilities.

X10379 Art Roller Detailing Kit with Exchangeable Handle - ARDCA by Xiem Pottery Tools 

Create. Roll. Done!
Now you can effortlessly add a seamless line of texture to any project.

Introducing our extended Art Roller Detailing family. 
Features:
*  Three popular design patters #01, #05, #08 from our original collection of eleven patterns.
*  Each detailing roller is secured in a robust interchangeable stainless steel frame. 
*  Brass Rollers are nickel-plated to be free from rust and corrosion.
*  Ergonomic handle design with a flat area the base for maximum comfort and prevents the tool from rolling off the table.
*  Precision engineered aluminum chuck for a quick and easy exchange between the roller attachments.
*  Made to last.

They are great for adding texture to a variety of clays.

Discover the unlimited possibilities.

MB-998 Sm. Bulb Ornament  
Case of 6

2" T

X10405 Korean Atelier Detail Carving Tool Titanium Fused Ultra-Sharp Round Hook Blade

East meets West. 
Xiem Korean Atelier detail carving tools are re-engineered to provide artists the best intricate carving, cutting, incising clay tools of the East with the highest quality material and comfort of the West.
They are excellent for doing sgraffito and mishima clay works.
Each tool is made of high-carbon steel, tempered, and Titanium-fused which is 3x times harder than steel to retain the superior cutting edge with no burs and rust resistance.
The faceted handle design will fit your hand comfortably and resist rolling off the table while the rubber sleeve provides an excellent grip.
Available in an individual tool and a complete set of 4 pieces (flat, angled, and round shape, and a knife). Length 6”(155 mm)

X10403 Korean Atelier Detail Carving Tool Titanium Fused Ultra-Sharp Flat Hook Blade

East meets West. 
Xiem Korean Atelier detail carving tools are re-engineered to provide artists the best intricate carving, cutting, incising clay tools of the East with the highest quality material and comfort of the West.
They are excellent for doing sgraffito and mishima clay works.
Each tool is made of high-carbon steel, tempered, and Titanium-fused which is 3x times harder than steel to retain the superior cutting edge with no burs and rust resistance.
The faceted handle design will fit your hand comfortably and resist rolling off the table while the rubber sleeve provides an excellent grip.
Available in an individual tool and a complete set of 4 pieces (flat, angled, and round shape, and a knife). Length 6”(155 mm)

X10407 Korean Atelier Detail Carving Tool Set

East meets West. 
Xiem Korean Atelier detail carving tools are re-engineered to provide artists the best intricate carving, cutting, incising clay tools of the East with the highest quality material and comfort of the West.
They are excellent for doing sgraffito and mishima clay works.
Each tool is made of high-carbon steel, tempered, and Titanium-fused which is 3x times harder than steel to retain the superior cutting edge with no burs and rust resistance.
The faceted handle design will fit your hand comfortably and resist rolling off the table while the rubber sleeve provides an excellent grip.
Available in an individual tool and a complete set of 4 pieces (flat, angled, and round shape, and a knife). Length 6”(155 mm)
This Set has a flat, angled, and round hook, and a knife

X10400 Small Wire Tool Series S-2

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10398 Large Wire Tool Series L-2

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10399 Small Wire Tool Series S-1

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10396 Medium Wire Tool Series M-4

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10395 Medium Wire Tool Series M-3

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10393 Medium Wire Tool Series M-1

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

X10397 Large Wire Tool Series L-1

Sculptor’s Wire Tools
This innovative  design approach allows artist the freedom to customize their favorite wire-tool tips combination for their specific needs, getting the job done more efficiently and enjoyable.  
Available in several sizes in large, medium, and small. They are perfect for a light-cutting, smooth, cleaning, and blending surfaces on a variety of materials such as wax, Sculpey, self-hardening clay, oil-based clay, and moist clay.
The wire-tip tools are made of high-strength stainless steel for long-lasting performance while the soft silicone handle to provide artists an ultimate comfort experience and a pleasure to work.

MB1293 Rectangle Salad Plate in Ceramic Cone 04 Bisque By Mayco Bisque

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

WC635 Raku - Cone 5 - 6 Mid Range Clay by Laguna:  

This heavily grogged raku clay formulated to resist thermal shock. Works well under the toughest conditions. 

WC616 #15 Translucent White Porcelain - Mid Range, Cone 5 - 6 Clay by Laguna.  

Translucent porcelain. An excellent grolleg body for throwing thin pieces.
Avg. Shrinkage 2±%  14.9%       Avg. Water Absorption 1±%  0.09% 

WC613  #80 – Red/Brown - Cone 5 - 6 Mid Range Clay by Laguna:  

Versatile, medium textured throwing body that fires to red/brown in oxidation, very plastic for throwing.
Cone:6 Wet Color: Red/Brown Fire Color Oxidation: Red/Brown Reduction: N/A Texture: Smooth Consistency: Standard
Avg. Shrinkage 2±% 14.0% Avg. Water Absorption 1±% 0.5% 

WC611 # 70 – Brown W/Specs - Cone 5 Mid Range Clay by Laguna.  

A very plastic throwing clay, dark in color, featuring heavy specking. Creates excellent glaze effects with dark gray color and specks. Cone:6  Wet Color: Brown F ire Color Oxidation: Brown w/ Specks Reduction: N/A  Texture: Slightly  Coarse  Consistency: Standard
Avg. Shrinkage 2±% 12.5% Avg. Water Absorption 1±% 1.35%

WC609 #65 – Stoneware White - Cone 5 - 6 Mid-Range Clay by Laguna:  

Smooth white stoneware, good for throwing and production of functional white-ware.

WC608 - #60 Speckled Tan Clay - Cone 5 - 6 Mid-Range Clay by Laguna:  

This clay is compounded to be a stoneware clay with specks that bleed through the glaze, giving the appearance of iron burning through, typical of reduction glazes and clays.  A very popular throwing clay for production potters who want to add the speck  dimension to their ware.  Neutral Glazes are not altered by clay body.
Cone:6 Wet Color: Gray Fire Color Oxidation: Speckled Tan  Reduction: N/A Texture: Slightly Coarse Consistency: Standard
Avg. Shrinkage 2±% 10.9% Avg. Water Absorption 1±% 1.7% 

WC403 Speckled Buff - Cone 5 - 6 Mid-Range Clay by Laguana:  

This Clay body was specifically formulated by request from Midwest and Eastern U.S. potters.  It is Low in sand and grog content, speckled buff is smooth textured.  An excellent throwing body.  The color palette is perhaps best described as 'desert' or 'Southwest'.  Fired in oxidation, Speckled Buff falls into the tan/brown color range.
Avg. Shrinkage 2±%  12%     Avg. Water Absorption 1±% 3% 

WC401- B-Mix - Cone 5 Mid Range Clay by Laguna  is: 

A premier, cream-white, throwing clay with a smooth porcelain texture is a pleasure to throw and form, and it fires to a cream color in oxidation.
Avg. Shrinkage 2±%  12.0%      Avg. Water Absorption 1±%  2.75% 

EM217 Laguna WED non- firing White Clay  

This clay has been specifically formulated to be a very smooth, slow drying clay for modeling.
It is used primarily by design studios and the entertainment industry for modeling, design, mock-up and tooling. Not formulated to be fired.

EM107 Laguna Low Fire Red / Terra Cotta Cone 04 Clay  

EM107 is smooth, plastic, terra cotta colored clay for wheel throwing and excellent for hand building with a fine grog added for slightly less shrinkage and improved workability.  Fires to a rich terra cotta red. 

EM103 Laguna Earthenware Clay - Low Fire White Clay Cone 04 - 06  

EM103 Low Fire White Clay is 
a smooth, plastic, white body with a small percentage of talc to create an optimum glaze fit.  EM103 is very popular among production potters and is also excellent for hand building. Its "forgiving" nature has also made EM103 a white clay choice for many teachers.

SD-174 Leather - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not be necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-173 Amber Quartz - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not be necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-172 Macadamia - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not be necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-171 - Enchanted Forest - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-170 - Blue Hydrangea - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-169 - Frosted Lemon - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-168 - Coral Sands - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats

SD-167 - Sand & Sea  - Stoneware - Cone 5 Mid Range Glaze by Mayco Colors in 5 pound Dry form.   

2018 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For dry mix products:

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping. Water to dry material ratio is 16 oz. water to 1 pound of material. Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials. Whether dipping or spraying: let previous coat dry before applying additional coats. Fire to cone 5/6.

Q: Mayco Stoneware Dry-Mix Glazes don't have to be sieved - why?

A: Our manufacturing process includes ball milling to very precise particles sizes. All you need to do to use our dry-mix glazes is add water, slake, stir and DIP. You'll love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

"Mayco's Stoneware Dry Mix glazes contain the same ingredients as our premixed formulas (leaving out viscosity thickeners and preservatives) and are ideally suited for spraying and dipping application. For best results: Gently tumble unopened bag to remix materials. Mix 1 pound of dry material to 1 pint (16 oz.) of water. Thin or thicken as needed. Our dry blends feature uniform and very fine particle sizing; sieving should not ne necessary. For best glazing results: Dipping - stir well right before dipping piece. Immerse the piece for 2-3 seconds; let dry for 3-5 minutes before applying additional coats