UG-216 - Peach (pint) Under-glaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-203 - Squash Yellow (pint) Under-glaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-058 - Harvest Gold (Pint) Underglaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-030 - Sand (pint) Under-glaze by Mayco Colors   

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-051 - CHINA White (Gallon) Under-glaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

UG-050 - Jet Black (Gallon) Under-glaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

SW-509 Blue Gloss (brush on) Stoneware Glaze By Mayco

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-182 - Antique Brass (brush on) Stoneware Glaze By Mayco

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-509 Dark Green Gloss (brush on) Stoneware Glaze By Mayco

2019 Stoneware Color Brochure

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-184 Speckled Toad (brush on) Stoneware Glaze By Mayco

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-183 - Oxblood (brush on) Stoneware Glaze (Cone 5) By Mayco   

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-181 - Night Moth (brush on) Stoneware Glaze By Mayco  

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-180 - Desert Dusk (brush on) Stoneware Glaze By Mayco

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-179 Muddy Waters (brush on) Stoneware Glaze By Mayco

2019 Stoneware Color Selection Guide

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

44414 Minimalist Vase in ready to paint, low fire Cone 04 Ceramic Bisque by Duncan

6 x 6 x 10

This item is unpainted.

You are purchasing an unfinished, ready to paint. piece of ceramic pottery.

44386 Plant Lady Planter in ready to paint, low fire Cone 04 Ceramic Bisque by Duncan

6.25 x 6.25 x 6

This item is unpainted.

You are purchasing an unfinished, ready to paint. piece of ceramic pottery.

44383 Hexagon Wall Planter in ready to paint, low fire Cone 04 Ceramic Bisque by Duncan

7.5 x 3.1 x 7.1

This item is unpainted.

You are purchasing an unfinished, ready to paint. piece of ceramic pottery.

44381 Footed Planter in ready to paint, low fire Cone 04 Ceramic Bisque by Duncan

6.5 x 6.5 x 6.75

This item is unpainted.

You are purchasing an unfinished, ready to paint. piece of ceramic pottery.

UG-019 - Electra Blue (Pint) Underglaze by Mayco Colors

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

MB1553 Quirky Monkey - in Ceramic Cone 04 Bisque By Mayco 

Case of 4

4.875 L x 5.5 W x 36.375H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1553 Quirky Monkey - in Ceramic Cone 04 Bisque By Mayco 

4.875 L x 5.5 W x 36.375H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1552 Quirky Frog - in Ceramic Cone 04 Bisque By Mayco 

Case of 4

5.125 L x 6 W x 3.875 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1552 Quirky Frog - in Ceramic Cone 04 Bisque By Mayco 

5.125 L x 6 W x 3.875 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1551 Quirky Bird - in Ceramic Cone 04 Bisque By Mayco 

Case of 4

6.5 L x 4.625 W x 4.75 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1551 Quirky Bird - in Ceramic Cone 04 Bisque By Mayco 

6.5 L x 4.625 W x 4.75 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

RL-023 - Maori Spirals Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-022 - Maori Spirals Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

HR-066 - Honeycomb Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

HR-065 - Snake Skin Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

HR-062 - Big Leaf Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-087 - Leaf Pattern Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-086 - Sedimentary Layers Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-085 - Beautiful Symmetry Fine Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-084 - Snake Skin Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-083 - Flowers and Leaves Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-082 - Sedimentary Layers Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-081 - Curlier Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-080 - Loopy Nouveau Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-079 - Psychedelic Wave Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-078 - Squares Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-077 - Beautiful Symmetry Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-076 - Maori Spirals Big Hand Roller

BHR - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

MB1550 Dragon Mug in Ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

Case of 6

5.125 H x 4.25 W x 4.5 D  

MB1550 Draon Mug in Ready to paint, Ceramic Cone 04 Bisque By Mayco Bisque

5.125 H x 4.25 W x 4.5 D   

All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate

MB1549 Dragon Plaque in ready to paint Cone 04 Bisque By Mayco

Case of 6

13 L x 13.75 W x 10.125 H

MB1549 Dragon Plaque in ready to paint Cone 04 Bisque By Mayco

13 L x 13.75 W x 10.125 H

UG-097 - Bright Blue (Pint) Underglaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-072 - Wedgewood Blue (Pint) Underglaze by Mayco Colors

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-067 - Ivory (Pint) Underglaze by Mayco Colors  

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

UG-003 - Baby Blue (Pint) Underglaze by Mayco Colors

Fundamental Under-Glaze Color Guide

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

MB1548 Faceted T-Rex in ready to paint, cone 04 ceramic bisque by Mayco

All of our bisque is fired to a cone 04 and is ready to paint.

10.25 L x 4.5 W x 6.5 T

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1547 Faceted Dragon in ready to paint, cone 04 ceramic bisque by Mayco

All of our bisque is fired to a cone 04 and is ready to paint.

10.5 L x 6 W x 6.25 H

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1548 Faceted T-Rex in ready to paint, cone 04 ceramic bisque by Mayco

All of our bisque is fired to a cone 04 and is ready to paint.

10.25 L x 4.5 W x 6.5 T

​Case of 4

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1547 Faceted Dragon in ready to paint, cone 04 ceramic bisque by Mayco

All of our bisque is fired to a cone 04 and is ready to paint.

10.5 L x 6 W x 6.25 H

​Case of 4

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

FSPCU - Prints Charming Number Fonts Set

Prints Charming Number Font Sets are 1.5 cm (0.6 inches) in diameter.

The actual number varies in size on each stamp.

The number stamps can be used to create patterns on any soft medium, including natural clay, porcelain, polymer clay, cookie dough and fondant.

Each number stamp set includes 9 numbers 0, 1, 2, 3, 4, 5, 6, 7 and a 8.

There is a small notch at the bottom of each letter to help make it easier to align the stamp

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

FSPCU - Prints Charming Upper Case Font Set

Prints Charming Upper Case Font Sets are 1.5 cm (0.6 inches) in diameter.

The actual letter varies in size on each stamp.

The font-stamps can be used to create patterns on any soft medium, including natural clay, porcelain, polymer clay, cookie dough and fondant.

Each Stamp set includes 26 Upper case stamps and an ampersand.

There is a small notch at the bottom of each letter to help make it easier to align the stamp

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

FSPCL - Prints Charming Lower Case Font Set

Prints Charming Lower Case Font Sets are 1.5 cm (0.6 inches) in diameter.

The actual letter varies in size on each stamp.

The font-stamps can be used to create patterns on any soft medium, including natural clay, porcelain, polymer clay, cookie dough and fondant.

Each Stamp set includes 26 lower case stamps and an ampersand.

There is a small notch at the bottom of each letter to help make it easier to align the stamp

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

RL-001 - Fine Zigzag Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

SCS-031 - Fleur-de-lis Mini Round Stamp 

SCM Stamps are 1 cm (0.4 inch) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCS-130 - Fleur-de-lis Small Round Stamp 

SCM Stamps are 1.5 cm (0.6 inch) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SSM-111 - Fleur-de-lis Medium Square Stamp 

SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-131 - Fleur-de-lis Medium Round Stamp 

SCM Stamps are 2.5 cm (1 inch) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

LHR-008 - Pacific Waves Vertical Long Hand Roller

LHR - Long Hand Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. 

The rollers are also beveled carved, allowing them to release easily from clay.

LHR rollers also work great on slabs. You simply roll the LHR roller with your hand across the clay to create a beautiful pattern.  

The ends of the rollers are rounded to avoid a line along each side of the pattern.  This allows patterns to blend. 

For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.

Our rollers are finished with tung oil to ensure durability over many years of use.

Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

RS-027 - Fleur-De-Lis Small Handle Roller

RS - Small Handle Rollers have a rolling design face that is 1.5 cm (0.6 inch) across. 

Our Small Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RS Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RS Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

MRL-008 - Daisy Flowers Mini Roller 1 cm 

MRL - Mini Rollers have a rolling design face that is 1 cm (0.4 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRL-006 - Pebbles Mini Roller 1 cm 

MRL - Mini Rollers have a rolling design face that is 1 cm (0.4 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRX-018 - Waves Mini Roller 2 cm 

MRX - Mini Rollers have a rolling design face that is 2 cm (0.8 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRX-017 - Wavy Mini Roller 2 cm 

MRX - Mini Rollers have a rolling design face that is 2 cm (0.8 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRX-009 - Pebbles Mini Roller 2 cm 

MRX - Mini Rollers have a rolling design face that is 2 cm (0.8 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

MRX-001 - Flower Vine Mini Roller 2 cm 

MRX - Mini Rollers have a rolling design face that is 2 cm (0.8 inch) across.  Our Mini Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our Mni Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our Mini Rollers are best rolled with the RH-2 Handle. The RH-2 splits apart to facilitate inserting a different MRS, MRL, or MRX Roller.

One RH-2 is all you need to use for any MRS, MRL, or MRX Roller.

The RH-2 and rollers are sold separately.  

RH-002 - Roller Handle for Mini Rollers

RH - Our RH-2 Roller Handle make the rollers easy to use.

The RH-2 assist the roller to create clear and distinct designs exactly where you want them.  To use these roller handles, simply pull apart the head of the handle so the metal bar becomes detached from one side.  Then slide a roller on and close the head of the handle again.  When using a roller with the RH-2 roller handle, the head of the handle will stay closed and secure around your roller.  Roll across clay to create straight lines, curvy lines and so much more !

The RH-2 roller handle is designed to fit the MRX, MRL and MRS rollers.  One Roller handle can be used with all the different MRX, MRL and MRS rollers.

HOW TO CLEAN:

Our Roller handles are made from hard wood.  To clean the roller handle, simply use a little bit of water and a cloth to wash off any excess clay that might get on the roller.

RM-046 - Flowers & Leaves Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RM-051 - Nouveau Floral Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RM-036 - Cobbles Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RM-028 - Tri Spirals Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RM-045 - Fleur-De-Lis Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

RM-002 - Braid Medium Handle Roller

RM - Medium Handle Rollers have a rolling design face that is 3 cm (1.2 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RM Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RM, RL or RS Roller.

The RH-1 and rollers are sold separately.  

Roller Board

The Roller Board provides clay artist the ability to smoothly and easily roll any Hand Roller, such as the HR Rollers, the BHR Big Hand Rollers, the LHR Long Hand Rollers and Twigs.  The silicone covered rolling surface is rigid and provides a firm grip, even pressure (avoiding knuckle bumps and other rolling irregularities) and a long smooth roll.

They can be easily sponged off using a moist cloth. 

Size:  They are 13.75 inches long and 3.125 inches wide. 

RH-001 - Roller Handle for Large Handle Roller

RH - Our RH-1 Roller Handle make the rollers easy to use.

The RH-1 assist the roller to create clear and distinct designs exactly where you want them.  To use these roller handles, simply pull apart the head of the handle so the metal bar becomes detached from one side.  Then slide a roller on and close the head of the handle again.  When using a roller with the RH-1 roller handle, the head of the handle will stay closed and secure around your roller.  Roll across clay to create straight lines, curvy lines and so much more !

The RH-1 roller handle is designed to fit the RL, RM and RS rollers.  One Roller handle can be used with all the different RL, RM and RS rollers.

HOW TO CLEAN:

Our Roller handles are made from hard wood.  To clean the roller handle, simply use a little bit of water and a cloth to wash off any excess clay that might get on the roller.

TW-002 - Curlicue Twig Hand Roller

TW - HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

RL-104 - Slanted Grooves Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-105 - Big Bumps Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-002 - Wavy Lines Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-013 - Funky Floral Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-012 - River Rapids Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-008 - Cobbles Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-010 - Rococo Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

RL-003 - Big Braid Large Handle Roller

RL - Large Handle Rollers have a rolling design face that is 6 cm (2.4 inch) across.  Our Large Handle Rollers are beautifully carved, have unique designs, release well, and have a smooth carved texture. 

Our RL Rollers are made from wood and finished with tung oil to ensure durability for many years of use.

All our Rollers are easily cleaned with water and a soft toothbrush.

Our RL Rollers are best rolled with the RH-1 Handle. The RH-1 splits apart to facilitate inserting a different RL, RM, or RS Roller.

One RH-1 is all you need to use for any RL, RM or RS Roller.

The RH-1 and rollers are sold separately.  

HR-008 - Frost Hand Roller

HR -  HandRollers are deeply carved, have unique designs, and release well from clay and any soft medium.

Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.

You simply roll the HR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and lightweight HR rollers are perfect for rolling vertically up the walls of a thrown pot.

BHR rollers also work great on slabs.

The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, Try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use.

Our Hand Rollers are easily cleaned with water and a soft toothbrush.