Latest
Holiday Icons Designer Silk Screen
DSS0162 Holiday Icons Designer Silk Screen
Mayco Designer Silkscreens are a great way to add intricate detail to your work. Each screen is 15” x 12” with different themes (Sealife, Nautical, etc) or patterns (Chevron or stripes). Combine AC310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a paste which is pushed through the screen onto bisque or unfired glaze surface. Designer Silkscreens can also be used with acrylics or fabric paint and can be applied to other craft surfaces.
Combine AC-310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a ceramic "paste", which is then rubbed through the screen onto your surface. Designer Silkscreens can also be used with acrylics or fabric paint.
The screen size is 12 1/2" H x 18" long, with the actual printed area measuring 11 1/2" H x 15" long. Designs are arranged with planned gutters to allow for folding without affecting any of the designs (the exceptions are the stripes and chevrons). The screens are lightly folded and the crease does not impact design reproduction. Individual screen designs are approximately 3" to 4" at their widest/longest dimension.
Woodland Critters Designer Silk Screen
DSS0161 Woodland Critters Designer Silk Screen
Mayco Designer Silkscreens are a great way to add intricate detail to your work. Each screen is 15” x 12” with different themes (Sealife, Nautical, etc) or patterns (Chevron or stripes). Combine AC310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a paste which is pushed through the screen onto bisque or unfired glaze surface. Designer Silkscreens can also be used with acrylics or fabric paint and can be applied to other craft surfaces.
Combine AC-310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a ceramic "paste", which is then rubbed through the screen onto your surface. Designer Silkscreens can also be used with acrylics or fabric paint.
The screen size is 12 1/2" H x 18" long, with the actual printed area measuring 11 1/2" H x 15" long. Designs are arranged with planned gutters to allow for folding without affecting any of the designs (the exceptions are the stripes and chevrons). The screens are lightly folded and the crease does not impact design reproduction. Individual screen designs are approximately 3" to 4" at their widest/longest dimension.
Vintage Holiday Designer Silk Screen
DSS0160 Vintage Holiday Designer Silk Screen
Mayco Designer Silkscreens are a great way to add intricate detail to your work. Each screen is 15” x 12” with different themes (Sealife, Nautical, etc) or patterns (Chevron or stripes). Combine AC310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a paste which is pushed through the screen onto bisque or unfired glaze surface. Designer Silkscreens can also be used with acrylics or fabric paint and can be applied to other craft surfaces.
Combine AC-310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a ceramic "paste", which is then rubbed through the screen onto your surface. Designer Silkscreens can also be used with acrylics or fabric paint.
The screen size is 12 1/2" H x 18" long, with the actual printed area measuring 11 1/2" H x 15" long. Designs are arranged with planned gutters to allow for folding without affecting any of the designs (the exceptions are the stripes and chevrons). The screens are lightly folded and the crease does not impact design reproduction. Individual screen designs are approximately 3" to 4" at their widest/longest dimension.
Gnomeland Designer Silk Screen
DSS0159 Gnomeland Designer Silk Screen
Mayco Designer Silkscreens are a great way to add intricate detail to your work. Each screen is 15” x 12” with different themes (Sealife, Nautical, etc) or patterns (Chevron or stripes). Combine AC310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a paste which is pushed through the screen onto bisque or unfired glaze surface. Designer Silkscreens can also be used with acrylics or fabric paint and can be applied to other craft surfaces.
Combine AC-310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a ceramic "paste", which is then rubbed through the screen onto your surface. Designer Silkscreens can also be used with acrylics or fabric paint.
The screen size is 12 1/2" H x 18" long, with the actual printed area measuring 11 1/2" H x 15" long. Designs are arranged with planned gutters to allow for folding without affecting any of the designs (the exceptions are the stripes and chevrons). The screens are lightly folded and the crease does not impact design reproduction. Individual screen designs are approximately 3" to 4" at their widest/longest dimension.
Buggin Out Designer Silk Screen
DSS0158 Buggin Out Designer Silk Screen
Mayco Designer Silkscreens are a great way to add intricate detail to your work. Each screen is 15” x 12” with different themes (Sealife, Nautical, etc) or patterns (Chevron or stripes). Combine AC310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a paste which is pushed through the screen onto bisque or unfired glaze surface. Designer Silkscreens can also be used with acrylics or fabric paint and can be applied to other craft surfaces.
Combine AC-310 Silkscreen Medium with underglazes, Stroke & Coat® or Designer Liner to create a ceramic "paste", which is then rubbed through the screen onto your surface. Designer Silkscreens can also be used with acrylics or fabric paint.
The screen size is 12 1/2" H x 18" long, with the actual printed area measuring 11 1/2" H x 15" long. Designs are arranged with planned gutters to allow for folding without affecting any of the designs (the exceptions are the stripes and chevrons). The screens are lightly folded and the crease does not impact design reproduction. Individual screen designs are approximately 3" to 4" at their widest/longest dimension.
Speckta Clear Peppermint - 4oz.
SG704 Speckta Clear Peppermint (4 ounce) by Mayco Colors
Shown over SC-98 Slime Green and unglazed bisque
Specta Clear Glazes are gloss clear glazes with speckles.
They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.
Speckta Clear Peppermint - 16 oz
SG704 Speckta Clear Peppermint (Pint) by Mayco Colors
Shown over SC-98 Slime Green and unglazed bisque
Specta Clear Glazes are gloss clear glazes with speckles.
They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.
Specta Clear Autumn - 4oz.
SG703 Specta Clear Autumn (4 ounce) by Mayco Colors
Shown over SC-41 Bown Cow and unglazed bisque
Specta Clear Glazes are gloss clear glazes with speckles.
They can be used over Stroke & Coats, Foundations, Fundamentals Underglaze and Designer Liner.
Char-Ming - 8 oz Mayco Stroke & Coat
SC-99 Char-Ming Stroke N Coat (8 ounce) by Mayco Colors
The Creative Choice
Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,
Helpful Hints
- SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
- SC-70 Pink-a-Dot is more translucent than other Stroke & Coat® glazes. Additional coats may be necessary to achieve opacity.
- Stroke & Coat® glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.
Product Features and Attributes
Stroke & Coat®is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat® glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it..
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat® will fire to a gloss finish - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.
Char-Ming - 2 oz Mayco Stroke & Coat
SC-99 Char-Ming Stroke N Coat (2 ounce) by Mayco Colors
The Creative Choice
Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,
Helpful Hints
- SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
- SC-70 Pink-a-Dot is more translucent than other Stroke & Coat® glazes. Additional coats may be necessary to achieve opacity.
- Stroke & Coat® glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.
Product Features and Attributes
Stroke & Coat®is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat® glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it..
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat® will fire to a gloss finish - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.
Char-Ming - 16 oz Mayco Stroke & Coat
SC-99 Char-Ming Stroke N Coat (pint) by Mayco Colors
The Creative Choice
Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,
Helpful Hints
- SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
- SC-70 Pink-a-Dot is more translucent than other Stroke & Coat® glazes. Additional coats may be necessary to achieve opacity.
- Stroke & Coat® glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.
Product Features and Attributes
Stroke & Coat®is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat® glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it..
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat® will fire to a gloss finish - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.
Slime Time - 8 oz Mayco Stroke & Coat
SC-98 Slime Time Stroke N Coat (8 ounce) by Mayco Colors
The Creative Choice
Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,
Helpful Hints
- SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
- SC-70 Pink-a-Dot is more translucent than other Stroke & Coat® glazes. Additional coats may be necessary to achieve opacity.
- Stroke & Coat® glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.
Product Features and Attributes
Stroke & Coat®is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat® glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it..
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat® will fire to a gloss finish - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Slime Time - 2 oz Mayco Stroke & Coat
SC-98 Slime Time Stroke N Coat (2 ounce) by Mayco Colors
The Creative Choice
Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,
Helpful Hints
- SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
- SC-70 Pink-a-Dot is more translucent than other Stroke & Coat® glazes. Additional coats may be necessary to achieve opacity.
- Stroke & Coat® glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.
Product Features and Attributes
Stroke & Coat®is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat® glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it..
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat® will fire to a gloss finish - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Slime Time - 16 oz Mayco Stroke & Coat
SC-98 Slime Time Stroke N Coat (pint) by Mayco Colors
The Creative Choice
Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist.
General Use
One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat® glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat® glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,
Helpful Hints
- SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
- SC-70 Pink-a-Dot is more translucent than other Stroke & Coat® glazes. Additional coats may be necessary to achieve opacity.
- Stroke & Coat® glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.
Product Features and Attributes
Stroke & Coat®is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze The extraordinary tolerance and forgiveness of Stroke & Coat® allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat® glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs. Colors butted against one another will not blend. Used in Majolica techniques the glaze will not move nor will it blend into the base glaze beneath it..
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat® will fire to a gloss finish - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat® glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe
Spotted Walnut - 4oz Mayco Element Glaze
EL 212 - Spotted Walnut (4 ounce) Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Spotted Walnut - 16 oz Mayco Element Glaze
EL 212 - Spotted Walnut (Pint) - Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Painted Desert - 4oz Mayco Element Glaze
EL 213 - Painted Desert (4 ounce) Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Painted Desert - 16 oz Mayco Element Glaze
EL 213 - Painted Desert (Pint) - Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Lavender Flower - 4oz Mayco Element Glaze
EL-149 Lavender Flower (4 ounce) Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Lavender Flower - 16oz Mayco Element Glaze
EL-149 Lavender Flower (Pint) - Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Smoked Lilac - 16oz Mayco Element Glaze
EL-148 Smoked Lilac (Pint) - Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Smoked Lilac - 4oz Mayco Element Glaze
EL-148 Smoked Lilac (4 ounce) Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
WC-750 Wades Paper Clay - Low Fire Cone 05 Clay - 50 lbs
WC750 Wades Paper Clay - Low Fire Cone 05 Clay
This body fires very white at cone 05 and is a smooth all-purpose body with the addition of paper fiber which makes it best suited for hand building.
It provides good work-ability and drying.
| Characteristics |
| Cone: | 06 | ||
| Wet Color: | Gray | ||
| Fire Color | |||
| Oxidation: | White | ||
| Reduction: | N/A | ||
| Texture: | Smooth | ||
| Penetrometer Target: | 6 | ||
| Avg. Shrinkage 2±% | 11% | ||
| Avg. Water Absorption 2±% | 17% | ||
| COE x 10-6: | 7.44 | ||
WC-750 Wades Paper Clay - Low Fire Cone 05 Clay - 25 lbs
WC750 Wades Paper Clay - Low Fire Cone 05 Clay
This body fires very white at cone 05 and is a smooth all-purpose body with the addition of paper fiber which makes it best suited for hand building.
It provides good work-ability and drying.
| Characteristics |
| Cone: | 06 | ||
| Wet Color: | Gray | ||
| Fire Color | |||
| Oxidation: | White | ||
| Reduction: | N/A | ||
| Texture: | Smooth | ||
| Penetrometer Target: | 6 | ||
| Avg. Shrinkage 2±% | 11% | ||
| Avg. Water Absorption 2±% | 17% | ||
| COE x 10-6: | 7.44 | ||
WC-391- B-3 Brown Clay cone 5 mid range clay - 50 lbs
WC391 B-3 Brown Clay # 90 – Red / Brown - Cone 5 Mid Range Clay by Laguna.
A pliable clay with smooth grog and color from manganese and iron. Fires almost black when in oxidation. It is not recommended to fire this clay in reduction.
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WC-391- B-3 Brown Clay cone 5 mid range clay - 25 lbs bag
WC391 B-3 Brown Clay # 90 – Red / Brown - Cone 5 Mid Range Clay by Laguna.
A pliable clay with smooth grog and color from manganese and iron. Fires almost black when in oxidation. It is not recommended to fire this clay in reduction.
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WC-617 Porcelain Cone 5 mid range clay - 50 lbs
WC617 #16 Translucent White Porcelain - Mid Range, Cone 5 - 6 Clay by Laguna.
Similar to WC616 but with more ball clay, making it less white, more plastic and forgiving.
Additional silica reduces crazing in some glazes. Good for slab forming.
| Characteristics |
| Cone: | 6 | ||
| Wet Color: | Very Lt. Gray | ||
| Fire Color | |||
| Oxidation: | White | ||
| Reduction: | N/A | ||
| Texture: | Smooth | ||
| Consistency: | Slightly Firm | ||
| Avg. Shrinkage 2±% | 13.9% | ||
| Avg. Water Absorption 1±% | 0.12% | ||
| COE x 10-6: | 5.76 | ||
WC-617 Porcelain Cone 5 mid range clay - 25 lbs bag
WC617 #16 Translucent White Porcelain - Mid Range, Cone 5 - 6 Clay by Laguna.
Similar to WC616 but with more ball clay, making it less white, more plastic and forgiving.
Additional silica reduces crazing in some glazes. Good for slab forming.
| Characteristics |
| Cone: | 6 | ||
| Wet Color: | Very Lt. Gray | ||
| Fire Color | |||
| Oxidation: | White | ||
| Reduction: | N/A | ||
| Texture: | Smooth | ||
| Consistency: | Slightly Firm | ||
| Avg. Shrinkage 2±% | 13.9% | ||
| Avg. Water Absorption 1±% | 0.12% | ||
| COE x 10-6: | 5.76 | ||
WC-614 Red/Brown cone 5 mid range clay - 50 lbs
WC614 # 90 – Red / Brown - Cone 5 Mid Range Clay by Laguna.
Formulated with fine grog and red art to obtain a rich dark color. Good for outdoor pots as well as functional pottery and sculpture when fired to cone 6
Fires to a red/brown in oxidation.
| Characteristics |
| Cone: | 6 | ||
| Wet Color: | Red/Brown | ||
| Fire Color | |||
| Oxidation: | Red/Brown | ||
| Reduction: | N/A | ||
| Texture: | Slightly Coarse | ||
| Consistency: | Standard | ||
| Avg. Shrinkage 2±% | 13.0% | ||
| Avg. Water Absorption 1±% | 0.9% | ||
| COE x 10-6: | 5.54 | ||
WC-614 Red/Brown cone 5 mid range clay - 25 lbs bag
WC614 # 90 – Red / Brown - Cone 5 Mid Range Clay by Laguna.
Formulated with fine grog and red art to obtain a rich dark color. Good for outdoor pots as well as functional pottery and sculpture when fired to cone 6
Fires to a red/brown in oxidation.
| Characteristics |
| Cone: | 6 | ||
| Wet Color: | Red/Brown | ||
| Fire Color | |||
| Oxidation: | Red/Brown | ||
| Reduction: | N/A | ||
| Texture: | Slightly Coarse | ||
| Consistency: | Standard | ||
| Avg. Shrinkage 2±% | 13.0% | ||
| Avg. Water Absorption 1±% | 0.9% | ||
| COE x 10-6: | 5.54 | ||
LIGHT-UP BOO - Case of 6
43276 LIGHT-UP BOO in ready to paint - cone 04 Ceramic Bisque by Duncan
Case of 6
7.08 x 2.56 x 4.53
LIGHT-UP BOO
43276 LIGHT-UP BOO in ready to paint - cone 04 Ceramic Bisque by Duncan
7.08 x 2.56 x 4.53
Ghost Mug - Case of 6
38574 Ghost Mug - in ready to paint - cone 04 Ceramic Bisque by Duncan
Case of 6
5.9 x 3.74 x 4.53
Ghost Mug
38574 Ghost Mug - in ready to paint - cone 04 Ceramic Bisque by Duncan
5.9 x 3.74 x 4.53
Sm. Pumpkin Plate
38572 Sm. Pumpkin Plate - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
5.31 x 4.53 x .98
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Large Pumpkin Plate - Case of 6
39645 Large Pumpkin Plate - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
8.86 x 7.087 x .98
Case of 6
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Large Pumpkin Plate
39645 Large Pumpkin Plate - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
8.86 x 7.87 x .98
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Spider Web Plate - Case of 6
38573 Spider Web Plate - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
9.06 x 7.09 x .98
Case of 6
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Spider Web Plate
38573 Spider Web Plate - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
9.06 x 7.09 x .98
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Farmhouse Pumpkin Box - Case of 6
43273 Farmhouse Pumpkin Box - in ready to paint - cone 04 Ceramic Bisque by Duncan
Case of 6
6.02 x 6.02 x 6.49
Farmhouse Pumpkin Box
43273 Farmhouse Pumpkin Box - in ready to paint - cone 04 Ceramic Bisque by Duncan
6.02 x 6.02 x 6.49
Camper Dish - Case of 6
MB1541 Camper Dish - in Ceramic Cone 04 Bisque By Mayco Bisque
9.375 L x 6.25 W
Case of 6
Camper Dish
MB1542 Camper Dish in Ceramic Cone 04 Bisque By Mayco Bisque
9.375 L x 6.25 W
All of our ceramic bisque has been fired to a cone 04 and is ready for you to decorate.
Camper Mug - Case of 6
MB1541 Camper Mug in ready to paint, cone 04 ceramic bisque by Mayco
4.25H x 5.5 W x 3.75 Dia.
Case of 6
Camper Mug
MB1541 Camper Mug in ready to paint, cone 04 ceramic bisque by Mayco
4.25 H x 5.5 W x 3.75 Dia.
All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate
T-Rex Plaque - Case of 6
MB1546 T-Rex Plaque in ready to paint Cone 04 Bisque By Mayco
Case of 6
12.25 L x 10 W x 1.5 D
T-Rex Plaque
MB1546 T-Rex Plaque in ready to paint Cone 04 Bisque By Mayco
12.25 L x 10 W x 1.5 D
Llama Plaque - Case of 6
MB1545 Llama Plaque in ready to paint Cone 04 Bisque By Mayco
Case of 6
13.5 L x 9 W x 1.75 D
Llama Plaque
MB1545 Llama Plaque in ready to paint Cone 04 Bisque By Mayco
13.5 L x 9 W x 1.75 D
Gnome Jar - Case of 6
MB1544 Gnome Jar in Ceramic Cone 04 Bisque By Mayco
Case of 6
7.5 H x 6 W x 5.75 D
Gnome Jar
MB1544 Gnome Jar in Ceramic Cone 04 Bisque By Mayco
7.5 H x 6 W x 5.75 D
All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate
Gnome Mug - Case of 6
MB1543 Gnome Mug in Ceramic Cone 04 Bisque By Mayco
Case of 6
4.25 H x 5.5 W x 4.25 D
Gnome Mug
MB1543 Gnome Mug in Ceramic Cone 04 Bisque By Mayco
4.25 H x 5.5 W x 4.25 D
All of our Mayco Ceramic Bisque has been fired to a cone 04 and is ready to decorate
MIAMI PINK - 8 oz Duncan Opaque Stain
OS558 MIAMI PINK Opaque 8 ounce Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
NORTHERN BLUE - 8 oz Duncan Opaque Stain
OS541 Northern Blue 8 ounce acrylic Stain
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
SADDLE BROWN - 8 oz Duncan Opaque Stain
OS489 SADDLE BROWN Opaque 8 ounce Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
BLACK - 8 oz Duncan Opaque Stain
OS 476 Black Opaque 8 ounce Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
GREY - 8 oz Duncan Opaque Stain
OS474 GREY Opaque 8 ounce Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
DEEP TURQUOISE - 8 oz Duncan Opaque Stain
OS468 DEEP TURQUOISE Opaque 8 ounce Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
PURPLE - 8 oz Duncan Opaque Stain
OS452 PURPLE Opaque 8 ounce Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
CHRISTMAS GREEN - 8 oz Duncan Opaque Stain
OS 488 Christmas Green 8 ounce Opaque Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
LEMON PEEL - 8 oz Duncan Opaque Stain
OS434 LEMON PEEL 8 ounce Opaque Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
ORANGE PEEL - 8 oz Duncan Opaque Stain
OS438 ORANGE PEEL 8 ounce Opaque Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
BRIGHT RED - 8 oz Duncan Opaque Stain
OS 449 Bright Red 8 ounce Opaque Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
WHITE - 8oz Duncan Opaque Stain
OS431 WHITE 8 ounce Opaque Acrylic Stain By Duncan
You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.
Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.
How to use Duncan® Bisq-Stain® Opaque Acrylics
1. Apply 1 or more good, smooth coats.
2. Thin with water or Thin 'n Shade if needed.
3. Clean up with water.
4. Seal with ceramic spray or brush-on sealer.
Tips & Techniques
1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.
2. Bisq-Stain Opaque Acrylics work great for air brushing
Super Star 13 inch Bat
13" x 3/8"
HDPE (Blue) Plastic Super Star Bats by North Star
Key Benefits
- Longest Life
- Water Proof
- Releases Clay Easily
- Light Crinkled Textured Finish
HDPE (Blue) Plastic Bats are 3/8 inch thick with a textured finish on
both sides to hold and release clay more easily. Standard drill is two holes 10
inch center-to-center to fit Brent, new Pacificia, Soldner and many others.
Forever Bat - 15 inch
15" x 1/4"
Forever Bats by North Star
Key Benefits
- Long Life
- Water Resistant
- Least Expensive
Forever bats are 1/4 inch thick, smooth on both sides. Standard drill is
two holes 10 inch center-to-center to fit Brent, New Pacificia, Soldner and
many others.
15" Round Bat
Forever Bat - 13 inch
13" x 1/4"
Forever Bats by North Star
Key Benefits
- Long Life
- Water Resistant
- Least Expensive
Forever bats are 1/4 inch thick, smooth on both sides. Standard drill is
two holes 10 inch center-to-center to fit Brent, New Pacificia, Soldner and
many others.
13" Round Bat
Standing Budai - Case of 6
40655C-6 Standing Budai in ready to paint, cone 04, ceramic bisque
Case of 6
5 x 3.75 x 6.5
Standing Budai
40655 Standing Budai in ready to paint, cone 04, ceramic bisque
5 x 3.75 x 6.5
Sitting Budai - Case of 6
40654C-6 Sitting Budai in ready to paint, cone 04, ceramic bisque
Case of 6
5 x 4.5 x 6
Sitting Budai
40654 Sitting Budai in ready to paint, cone 04, ceramic bisque
5 x 4.5 x 6
Elephant - Case of 6
Elephant in ready to paint, cone 04 ceramic bisque
8.5 x 4 x 7.5
Case of 6
Elephant
40656 Elephant in ready to paint, cone 04, ceramic bisque
8.5 x 4 x 7.5
Tiger - Case of 6
Tiger in ready to paint, cone 04 ceramic bisque
9.25 x 4 x 6.25
Case of 6
Tiger
40657 Tiger in ready to paint, cone 04, ceramic bisque
9.25 x 4 x 6.25
Llama - Case of 6
Llama in ready to paint, cone 04 ceramic bisque
4.5 x 2.25 x 5.75
Case of 6
Llama
40658 Llama in ready to paint, cone 04, ceramic bisque
4.5 x 2.25 x 5.75
Tiny Tot Tiger - Case of 6
40659 Tiny Tot Tiger - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
3.5 x 2 x 3.25
Case of 6
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Tiny Tot Tiger
40659 Tiny Tot Tiger - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
3.5 x 2 x 3.25
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Tiny Tot Llama - Case of 6
40660 Tiny Tot Llama - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
3.5 x 1.5 x 4.25
Case of 6
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Tiny Tot Llama
40660 Tiny Tot Llama - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
3.5 x 1.5 x 4.25
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Black Iris - 16oz Duncan True Matte Cone 5 Glaze
TM5-765 Black Iris - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Monsoon - 16oz Duncan True Matte Cone 5 Glaze
TM5-764 Monsoon - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Dark Harbor - 16oz Duncan True Matte Cone 5 Glaze
TM5-763 Dark Harbor - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Cielo Azul - 16oz Duncan True Matte Cone 5 Glaze
TM5-762 Cielo Azul - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Oasis - 16oz Duncan True Matte Cone 5 Glaze
TM5-761 Oasis - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Desert Sunset - 16oz Duncan True Matte Cone 5 Glaze
TM5-760 Desert Sunset - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
California Poppy - 16oz Duncan True Matte Cone 5 Glaze
TM5-759 California Poppy - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Sundance - 16oz Duncan True Matte Cone 5 Glaze
TM5-758 Sundance - True Matte Cone 5 Mid Range Glaze
True Matte 5 Glaze Brochure
True Matte 5 Glazes are for mid-range firings. Their numbering has a TM5 on the label.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
This glaze family is food safe and nontoxic.
Can be layered with other glazes for interesting effects.
How To Use
Apply 2-3 flowing coats to stoneware or porcelain that has been bisque fired to cone 04.
Dry foot piece.
Do not stilt when firing.
Fire to cone 5-6.
Clean brushes with water.
Create Different Effects
True Matte 5 on Porcelain Clay
When used on Porcelain Clay, these True Matte 5 Glazes appear vibrant and smooth.
Dry foot and fire to cone 5.
True Matte 5 on Terra Cotta Red Clay
True Matte 5 Glazes create a smoked effect when applied to full coverage on Terra Cotta Red Clay.
Dry foot and fire to cone 5.
True Matte 5 Cassius Basaltic Clay
True Matte 5 Glazes create crater effects on Cassius Basaltic Clay when applied to full coverage.
Dry foot and fire to cone 5.
Combination with Pure Brilliance Clear
Create a darker, glossy hue by applying Pure Brilliance Clear Glaze over True Matte 5 Glazes. Pure Brilliance is formulated for cone 06 firing, but can withstand firing temperatures up to cone 6.
Llama Container - Case of 4
MB1537 Llama Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
8 L x 4 w x 3.75 H
Case of 4 (also available individually)
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Llama Container
MB1537 Llama Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
8 L x 4 W x 3.75 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Unicorn Container - Case of 4
MB1534 Unicorn Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
7.75 L x 4 w x 6 H
Case of 4 (also available individually)
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Unicorn Container
MB1534 Unicorn Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
7.75 L x 4 W x 6 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Mermaid Container - Case of 4
MB1533 Mermaid Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
7.75 L x 5.75 w x 4.5 H
Case of 4 (also available individually)
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Mermaid Container
MB1533 Mermaid Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
7.75 L x 5.75 W x 4.5 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Flamingo Container - Case of 4
MB1532 Flamingo Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
7 L x 5.25 w x 4.75 H
Case of 4 (also available individually)
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Flamingo Container
MB1532 Flamingo Container in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
7 L x 5.25 W x 4.75 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Faceted Bear - Case of 4
MB1540 Faceted Bear in ready to paint, cone 04 ceramic bisque by Mayco
9.75 T x 3.75 W x 5.25 H
Case of 4
Faceted Bear
MB1540 Faceted Bear in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
9.75 L x 3.75 W x 5.25 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Featured
Ghost Mug
38574 Ghost Mug - in ready to paint - cone 04 Ceramic Bisque by Duncan
5.9 x 3.74 x 4.53
Faceted Bear
MB1540 Faceted Bear in ready to paint, cone 04 ceramic bisque by Mayco Colors
All of our bisque is fired to a cone 04 and is ready to paint.
9.75 L x 3.75 W x 5.25 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Faceted Unicorn
MB1538 Faceted Unicorn in ready to paint, cone 04 ceramic bisque by Mayco
All of our bisque is fired to a cone 04 and is ready to paint.
9 l x 3.5 W x 8.5 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Products Used
Bisque
- MB-1538 Faceted Unicorn
Color
Smoked Lilac - 4oz Mayco Element Glaze
EL-148 Smoked Lilac (4 ounce) Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Spotted Walnut - 4oz Mayco Element Glaze
EL 212 - Spotted Walnut (4 ounce) Mayco Element Glaze
Rich & Elegant
Inspired by aspects of nature, Elements™ and Elements™ Chunkies produce lush, organic, and earthy hues. This high performance art glaze gives the artist a wide variety of options in one product as application, firing temperature and shape will influence the outcome. Elements ™ and Element ™ Chunkies were designed to simulate the aesthetic, movement and interest of mid-range and high fire glazes in a cone 06/05 oxidation kiln firing.
General Use
Elements™ and Element™ Chunkies are designed to mature at cone 06/05. Apply 2-3 coats to shelf cone 04 bisque, allowing to dry between coats. As movement and flowing are characteristics of these glazes, taper off toward the bottom of the ware to prevent glazes running off the piece onto kiln shelves. Elements™ and Elements™ Chunkies can be fired at higher temperatures but will change in appearance. We recommend testing prior to use. The ever popular FN-215 Aztec Jade, FN-217 Evergreen Fir, FN-218 Green Sapphire, and FN-219 Lustre Green are now part of the Elements product family as their performance characteristics are similar.
Helpful Hints
- Uneven glaze application can affect the look of the glaze. We recommend application in one direction.
- Allow ample room for air circulation in the kiln during the firing process as heat work and adequate oxygen can influence the glaze appearance. Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
- Many of the Elements™ produce interesting effects at cone 6 but will change color. We recommend testing to determine color, surface characteristics and movement prior to use.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar could contaminate the jar's contents, especially if you are using other glazes. Apply 3-4 coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area we recommend a broad, soft brush, such as a CB-604 #4 Soft Fan Brush or CB-618 #8. Moisten the brush with water first. Try to get the brush fully saturated (loaded) and apply each coat in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Make sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06.
An uneven glaze application, the piece’s shape and surface texture can affect the fired finish.
Amount of detail on the ware can also affect the fired finish
Allow the pieces ample room in the kiln for air circulation during firing. A heavily loaded kiln will affect the color and the float within the colors as will the firing at temperature cone 06 versus cone 05.
Some Elements™ may produce pleasing effects when fired to cone 6; all will change color:
Usage Variations & FAQs
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Q: Can Elements™ be Mixed with Other Glazes?
A: Using Elements with Pottery Cascades creates beautiful effects. However, intermixing Elements with other glazes is unpredictable; make test samples first to see if the fired result is the desired effect.
Q: What are some basic tips for creating effects with Elements™?
A: Apply to properly fired shelf cone 04 bisque. Use a soft fan or glaze brush, depending on the area and surface to be covered. Generally, three- four coats of glaze are recommended. However, applying four coats will produce a totally different look. For a different effect, brush on three coats and apply a final fourth coat using a silk or sea wool sponge. An uneven glaze application and the ware’s shape and surface (plain or embossed) will also affect the look of the glaze.
Q: Are Elements™ luster compatible?
A: When Elements are re-fired to lower luster temperatures (shelf cone 018-020), the original glaze color changes. If this is not a desired effect you will not want to apply lusters over them. However, you may find the re-fired finishes to be desirable. Our advice is to experiment and make test samples using luster with the specific Element™ with which you are using.
Elements
Gorgeous non-toxic glazes in natural earth tones. Surfaces vary from gloss to matte, with subtle variations in each color for a truly unique look. No two pieces will ever be the same. Great for achieving a high fire pottery look at low fire temperatures. Easy application make Elements ideal for ceramic projects in the classroom!
The level of variegation exhibited by theses glazes can be influenced by factors such as the number of coats applied, combinations with other glazes, body surface textures, kiln atmosphere and temperatures. Elements™ will move - some more than others. Understanding each glaze's temperment, how each glaze can be applied, will lead to more successful results.>
Elements Chunkies
The popular earth tone Element Glazes now come with crystals!
During the firing, the crystals spread out to produce a burst of color to create a truly unique look. No two pieces will ever be alike, as the shape of the piece, glaze application; firing temperature and kiln load all affect the final glaze surface.
Product Features and Attributes
Some qualities of Elements & Elements™Chunkies glazes include:
Free Flowing Formula - allows glaze to move and variegate - on its own or in combination with other glazes
All are Non-Toxic.
Spider Web Plate
38573 Spider Web Plate - in Ceramic Cone 04 Bisque By Duncan
All of our bisque is fired to a cone 04 and is ready to paint.
9.06 x 7.09 x .98
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Pumpkin Plate
SM5142 Pumpkin Plate in ready to paint, Cone 04, Ceramic Bisque that is hand made in the U.S.A
12 x 10 W
